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American Impressions
9/13/1996 - 11/10/1996

In conjunction with the exhibition of paintings by California Impressionist Guy Rose, this exhibition from the permanent collection will highlight work by American painters who responded to the example of the French Impressionists.

The Norton's collection really begins with "Landscape," 1878-80, by John Herny Twachtman, one of the founders of the group known as The Ten American Painters, often referred to as American Impressionists. The group was founded in 1897, and was highly influenced by the work of the French Impressionists. In Europe, where he went in 1877, Twachtman met another American painter, William Merritt Chase, whose "Untitled" (Landscape), 1912, is a scene in northern France or Belgium, showing a high Impressionist style and subject matter.

Another exhibitor with The Ten, Childe Hassam, is represented in this exhibition by his "Gloucester Harbor", 1909, which demonstrates Hassam's mastery of the style that he had learned during his European travels. In fact, works such as this, which directly translated the French Impressionists' brushstroke and approach to color, played a significant role in the development of Impressionism in the United States, as they were widely admired. The exhibition will also include works by Frank W. Benson, Thomas W. Dewing and J. Alden Weir, other members of The Ten.

Mary Cassatt was not a member of The Ten. She lived for most of her artistic career in France where she became very close to Edgar Degas and other French Impressionists. She was not only important as the only American in the original Impressionist circle (she helped to finance some of the Impressionist group shows), but she also sent many French Impressionist works to collector friends of hers in the United States, in particular the Havemeyers. The Museum possesses three studies by Cassatt, which demonstrate a distinctly feminine version of the modern life theme so beloved of the French Impressionists.

Later American painters with Impressionist or neo-Impressionist painting styles selected harsher subject matter than The Ten, who traditionally chose fairly idyllic landscapes or seascapes. The Eight, founded in 1908 under the guidance of Robert Henri, reacted against the conservatism of the established art world, and often portrayed the city and its seamier side. The Eight - many of whom were trained as reporters and illustrators - frequently went further than their European counterparts in this regard. Many of the painters in this group, such as George Luks, John Sloan, Maurice Prendergast, Ernest Lawson, Arthur B. Davies, Everett Shinn and William Glackens, are represented in this exhibition by highly important and individualistic works, including portraits of ordinary people and scenes from everyday life.

The Ashcan School was a loose affiliation of painters who, even more than The Eight, concentrated on the rougher side of city life. Ernest Lawson's "Hoboken Heights," 1900 - 1910, and "Hoboken Waterfront," 1910 - 1912, represent in a traditionally Impressionist style a landscape affected by industrial society. In George Bellows' "Winter Afternoon," 1909, Riverside Park is distinguished by a background in which railroad tracks, a tug boat and the palisades of industrial New Jersey are clearly visible. In such paintings, the Impressionist brushstroke and use of color is a vehicle for a distinctly American vision, a new school of American Modernism influenced by French Impressionism.

The Impressionist influence remained strong across America throughout the first half of the century. Works by such artists as Emil Carlsen, Selden Connor Gile, Guy Wiggins, Hayley Lever and Jonas Lie demonstrate this continuing trend in American twentieth century painting.





 

   

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NORTON MUSEUM OF ART
1451 S Olive Avenue, West Palm Beach, FL 33401

The Norton Museum of Art is a major cultural attraction in Florida.
The Museum is internationally known for its distinguished permanent collection featuring
19th and 20th century European and American art, Chinese, contemporary art and photography.
From its founding the Norton has been famous for its masterpieces of 19th century and 20th century painting
and sculpture by European artists such as Brancusi, Gauguin, Matisse, Miró, Monet, Picasso
and by Americans such as Davis, Hassam, Hopper, Manship, O'Keeffe, Pollock and Sheeler.
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