Betye
Saar: Extending the Frozen Moment
March 18 - June
4, 2006
Betye Saar is widely viewed as one of the most distinguished
figures in American art today. Born in 1926 in Los Angeles,
she emerged in the 1960s as a seminal figure in the redefinition
of African American identity in art. Throughout her career,
Saar has made art that challenges us to think about our societal
responses to race and to the history of race in the United
States. Though politically trenchant, Saar's work moves beyond
protest to encompass a profound spirituality and an awareness
of the things that link human beings across cultural lines
and across time. Best known for her richly evocative assemblages
of found objects, Saar has been included in numerous exhibitions
and is represented in many major museum collections. This
exhibition examines Saar's achievement by focusing on her
work with photography, specifically, her incorporation of
photographic fragments as a metaphor for her view of the
African American experience and of lives too often obscured
in American visual history.
This exhibition is organized and circulated by
the University of Michigan Museum of Art. This exhibition has
been made possible in part by the National Endowment for the
Arts, The Henry Luce Foundation, The Andy Warhol Foundation
for the Visual Arts and the Peter Norton Family Foundation.
Support for the local presentation of this exhibition is being
provided by The Georgene and Hamish Maxwell Exhibition Endowment
and the State of Florida, Department of State, Division of
Cultural Affairs, the Florida Arts Council, and the National
Endowment for the Arts. Local media support provided by the Sun-Sentinel.
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| Sambo’s Banjo,
1971–72. Mixed-media assemblage, 41 by 14 ½ x 18 inches. (banjo
case); 6 ½ by 12 ¾ by 2 ¾ inches. (watermelon slice). Collection
California African American Foundation, Courtesy California African
American Museum |
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Midnight
Madonnas, 1996. Mixed media assemblage, 14 x 11 by 1 ½ inches.
Courtesy the artist and Michael Rosenfeld Gallery, LLC, New York
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