Cursed Images: Pictures Out of Context

This exhibition features a recent gift of 20th-century vernacular photographs (everyday, amateur snapshots) from the Peter J. Cohen Collection, one of the largest privately held archives of anonymous photographs in the United States. It highlights photographs whose subjects or object relationships evoke a subtle, inexplicable unease. Although the term “cursed image” emerged in online forums around 2015, its uncanny sensibility resonates throughout these anonymous, context-less pictures. Their ambiguity invites lingering questions, prompting viewers to consider how vernacular photographs circulate and endure over time.

Unknown Maker, Untitled, circa 1950s

Unknown Maker, Untitled, circa 1970s – 1990s

Unknown Maker, Untitled , mid-20th century

Unknown Maker, Untitled, circa 1920s – 1940s

Unknown Maker, Untitled, mid-20th century

Unknown Maker, Untitled, mid-20th century

Unknown Maker, Untitled, mid-20th century

Unknown Maker, Untitled [“Me trying to get up tree”], mid-20th century

Unknown Maker, Untitled [“Susan”], 1951

Unknown Maker, Untitled [“St. Peter, Nordsee, Ostern” (“St. Peter, North Sea, Easter”)], 1956

Unknown Maker, Untitled, circa 1950s – 1960s

Unknown Maker, Untitled [“World’s Longest Sausage in the Making”], May 24, 1979

Unknown Maker, Untitled, mid-20th century

Organized by the Norton Museum of Art.
Major support for this exhibition was provided by the William and Sarah Ross Soter Photography Fund.