Cursed Images: Pictures Out of Context
This exhibition features a recent gift of 20th-century vernacular photographs (everyday, amateur snapshots) from the Peter J. Cohen Collection, one of the largest privately held archives of anonymous photographs in the United States. It highlights photographs whose subjects or object relationships evoke a subtle, inexplicable unease. Although the term “cursed image” emerged in online forums around 2015, its uncanny sensibility resonates throughout these anonymous, context-less pictures. Their ambiguity invites lingering questions, prompting viewers to consider how vernacular photographs circulate and endure over time.
Unknown Maker, Untitled, circa 1950s
Unknown Maker, Untitled, circa 1970s – 1990s
Unknown Maker, Untitled , mid-20th century
Unknown Maker, Untitled, circa 1920s – 1940s
Unknown Maker, Untitled, mid-20th century
Unknown Maker, Untitled, mid-20th century
Unknown Maker, Untitled, mid-20th century
Unknown Maker, Untitled [“Me trying to get up tree”], mid-20th century
Unknown Maker, Untitled [“Susan”], 1951
Unknown Maker, Untitled [“St. Peter, Nordsee, Ostern” (“St. Peter, North Sea, Easter”)], 1956
Unknown Maker, Untitled, circa 1950s – 1960s
Unknown Maker, Untitled [“World’s Longest Sausage in the Making”], May 24, 1979
Unknown Maker, Untitled, mid-20th century
Major support for this exhibition was provided by the William and Sarah Ross Soter Photography Fund.