2025 Gala Auction - Live Lot

Rashid Johnson | Katharina Grosse | Jose Alvarez (D.O.P.A.)
Kibong Rhee | Joel Mesler

Joel Mesler

American, born 1974

Untitled (Crazy People), 2022

Pigments dye and acrylic on rag paper

Each: 29 1/2 x 44 in. (74.9 x 111.8 cm)

Overall: 29 1/2 x 88 in. (74.9 x 233.5 cm)

Framed: 33 1/2 x 92 1/2 in. (85.1 x 235 cm)

Courtesy of the artist and Lévy Gorvy Dayan

Estimate: $40,000 - $50,000

Untitled (Crazy People) showcases Mesler’s signature style of bold colors, stylized patterns, bright figuration, and unique calligraphic scripts. Referencing his childhood in California, the painting mixes humor, self-deprecation, and surprising compositional juxtaposition. Mesler’s polished works strengthen his connection to the legacy of Pop Art, and his use of text places him in a lineage of artists including Ed Ruscha and Christopher Wool.

For more information, please email [email protected]

This lot will be auctioned live at the Gala on February 1, 2025. To register an absentee or phone bid, please email [email protected]

About the Artist:

Joel Mesler’s paintings shed light on universal themes by filtering them through autobiography, humor, self-deprecation, and surprising compositional juxtapositions. Childhood memories fuel meditations on design and popular iconography, not to mention the liquid, fluid, and mutable nature of the painting process. In recent years, Mesler has explored the power of acceptance, allowing emotions — as well as the cultural forms in which they become constellated — to exist at the center of his project. Mesler has also broadened his visual range, incorporating new motifs in the patterned backgrounds that provide the foundation for each composition and experimenting with increasingly elaborate ways of rendering typography. Their wry surrealism and emphasis on words and phrases place Mesler’s paintings in dialogue with the work of artists like Ed Ruscha and Christopher Wool, who engage with language and the relationship between text and image. But Mesler’s concerns are very much his own, and however lighthearted their surfaces read upon first glance, his paintings pose serious questions: How is a self constituted when it is not consistent from moment to moment? Where does pain end and healing begin?

Joel Mesler has been the subject of solo exhibitions at Château La Coste, Provence, France (2024); Long Museum West Bund, Shanghai (2023); David Kordansky Gallery, Los Angeles (2023); Lévy Gorvy, Hong Kong (2021); Harper’s Books, East Hampton, New York (2020); and Simon Lee, London (2018). Mesler lives and works in East Hampton, New York.